Copyright © 2025 Diss-cuss
Sous la canopée
Under a dense canopy, a milk-like nectar flows out of the breast of a statue. Attracted by the frangrance of the mysterious liquid, a deer emerges from the fog.
"Under the Canopy," director Maya Diaz's latest offering, is a deceptively simple story cloaked in vibrant, dreamy cinematography. Set against the backdrop of a struggling stargazing observatory perched atop a remote mountain, it weaves a tapestry of interconnected lives, tinged with both wonder and melancholy. The film follows a handful of characters, each grappling with their own existential questions under the vast expanse of the cosmos.
At the heart of the story is Elena, played with quiet strength by Mariana Aguilera, a seasoned astronomer facing the impending closure of the observatory due to dwindling funding. Elena, haunted by the tragic loss of her husband, finds solace in the night sky, her passion for the cosmos bordering on obsession. Her world revolves around her research, leaving little room for human connection. As the observatory's future hangs in the balance, she finds herself increasingly drawn to Gabriel (played with a captivating intensity by Joaquin Torres), a charismatic, young intern who embodies the very spirit of scientific curiosity that Elena believes is fading.
Gabriel arrives with a fresh perspective, eager to prove his astronomical acumen. He is plagued by a haunting secret, however, which begins to unravel as the film progresses. Flashbacks reveal Gabriel's past as a successful astrophotographer whose career was derailed by a catastrophic accident. He carries immense guilt and shame, convinced his ambition had led to tragedy. Elena, initially skeptical of Gabriel's youthful enthusiasm, finds herself drawn to his vulnerability and the spark of hope he ignites within her.
A pivotal twist occurs when a meteor shower, the observatory's last chance for funding, proves to be more than just a celestial spectacle. The meteor shower carries an anomaly, a signal that appears to be of extraterrestrial origin. This revelation throws the characters into a whirlwind of excitement and fear, leading to a dramatic climax where they must make life-altering choices.
Diaz masterfully weaves in the genre elements of science fiction and romance, using the breathtaking visuals of the cosmos to explore deeper themes of human connection, grief, and the relentless question of our place in the universe. The film's strength lies in its nuanced character development and its thoughtful exploration of the blurred lines between scientific discovery and personal truth. Aguilera's nuanced portrayal of Elena's internal struggle, her yearning for connection juxtaposed with her fear of vulnerability, is particularly compelling. Torres, too, delivers a captivating performance, capturing Gabriel's inherent brilliance and the weight of his past demons.
While some may find the pacing deliberate and the resolution bittersweet, "Under the Canopy" ultimately offers a deeply satisfying cinematic experience. It is a film that lingers long after the credits roll, inviting contemplation on the vast mysteries of the universe and the enduring power of human connection.